DOMANI SABATO 20 GENNAIO ALL'EX DOGANA
IL CROSSOVER ELETTRONICO DEL DANESE TRENTEMØLLER
IN CONTEMPORANEA: OSPITE MOLELLA, UN MASTERMIND DELLA DANCE MONDIALE
PER TORNARE NEI MITICI ANNI '90
Domani 20 gennaio sarà ospite speciale dell'Ex Dogana il danese Anders Trentemøller, uno dei personaggi chiave dell'elettronica del nuovo millennio. La serata di L-EKTRICA in collaborazione con Ex Dogana dalle ore 23:00 alle ore 5:00 presenterà il crossover elettronico Trentemøller, un'artista caleidoscopico, pronto ad aprirsi ai mondi più disparati, tanto da tracciare una linea fatta di vibrazioni, battiti e melodie, discontinua e ricca di imprevedibili cambi di direzione, che unisce elettronica e pop con fermate intermedie nella deep-house, nel'universo minimal, nel cantautorato, nella wave, nella psichedelia e nelle tendenze contemporanee. (ticket in cassa: 15 euro. Prevendite disponibili su Vivaticket: goo.gl/SBPmGG - Iticket: goo.gl/7zFt9S).
Dall'altra parte dell'Ex Dogana tutto un altro genere dalle ore 23:00 alle ore 5:00 con Roma 90210 che, in collaborazione con Ex Dogana, ospiterà Molella, un mastermind della dance mondiale per ingranare la retromarcia verso i mitici anni '90. Dagli esordi su Radio Deejay, con Gerry Scotti e Jovanotti a fine anni '80, passando per i remix, i progetti con Gigi D'Agostino, il mitico Deejay Time con Prezioso, Albertino e Fargetta, e amicizie illustri come quella con Vasco e i Public Enemy. Senza dimenticare che inni come "Feed From Desire" o "Come Into My Life" vengono dalla sua mente.
E per chi vuole leggersi la biografia in originale di
TRENTEMØLLER
City: COPENHAGEN (DK)
Labels: In My Room, Poker Flat Recordings
Biography:
Copenhagen based musician Anders Trentemøller ́s talent for heart wrenching melodic moments
and exceptional produc- tions, fused with his trademark sound somewhere between indie and
electronic, has established him as one of the most respected and admired artists and remixers of
this century.
In 2006, following a line of 12" electronic EPs, Trentemøller re- leased his groundbreaking debut
album 'The Last Resort'. High placements in several polls for best album of the year followed and
established his name to a much broader audience.
In 2007 Trentemøller assembled his first full live band with his friends, multi artist Henrik
Vibskov
on drums and musician Mikael Simpson on guitar. Complete with visuals from director Karim
Ghahwagi, the ensuing 'Trentemøller: Live In Concert' tour was a milestone, bringing him to the
US for the first time as well as some of the biggest festivals in the world, including Glastonbury
(UK), Roskilde (Denmark) and Melt! (Germany).
In 2009 'The Trentemøller Chronicles', a double-compilation of unreleased songs, his personal
favorite non-album tracks as well as a collection of remixes for high profile acts as Röyksopp,
Moby and The Knife, was released. Later that year Trentemøller hit another personal career
landmark, when he headlined the Orange Stage at Roskilde Festival, playing in front of 60,000
people featuring a unique set design created by Henrik Vibskov. The crowd reactions and press
reviews were all top shelf.
After starting up his very own record imprint, In My Room, Tren- temøller's second album 'Into
The Great Wide Yonder' was re- leased in 2010. Four years after The Last Resort, it fulfilled the
unenviable task of following up a modern classic. It was also a move into a more analogue sound
influenced heavily by indie and post punk – and incorporating even more live instrumenta- tion
and vocals.
The record was met with high applause for taking yet another clear step away from his electronic
beginnings into more experimental soundscapes. Expanding his live band, now seven peo- ple on
stage, he kept on touring around the world for two years. Highlights included a barnstorming set at
2011's Coachella Fes- tival, where NME called the show "one of the biggest breakouts of
Coachella," he "stunned all onlookers and became the toast of the fest." Trentemøller made even
further inroads into the US shortly after, appearing on Carson Daly and playing throughout the US
on a sold-out tour. The world tour ended with two con- secutive, sold out shows at Den Grå Hal in
Christiania (Copen- hagen), which was recorded and later was released as the album 'Live In
Copenhagen'.
Following his sophomore album, 'Reworked/Remixed' was re- leased. A double compilation,
celebrating some of Trentemøller's favorite remixes he completed for other artists, and also some
of his personal picks where other musicians have reworked his music - featuring the likes of
Modeselektor, UNKLE, Franz Ferdi- nand, Andrew Weatherall, Efterklang and Depeche Mode.
Trentemøller's captivating sound has also found a home in the world of cinema. His productions
have been used by prominent directors including Oliver Stone (Savages), Pedro Almodóvar (The
Skin I Live In) and most recently Jacques Audiard, who soundtracked a pivotal scene of his film
Rust & Bone, with An- ders' classic bootleg remix of Bruce Springsteen's 'State Troop- er', that he
had made for himself to play at one of his increasing- ly rare DJ sets.
In September 2013 Trentemøller will release his third full-length album 'Lost'. "Much like its
predecessor, 'Lost' serves not only as a logical continuation of his work, but also as yet another
fuck- you to whatever genre you thought you had him boxed into." (Vice)
'Lost' is a symbol of the powerful sound Trentemøller has gained through his extensive live
touring. It's a record defined by its the- matic guitars, analog synthesizers and robust melodies;
the an- tithesis to the feel of programmed, quantized music that some of his most early fans know
him for. It's also his most collaborative effort yet, pairing him with a vibrant cast of vocal
features—
the legendary duo Low, Jonny Pierce from The Drums, Marie Fisker, Kazu Makino of Blonde
Redhead, Jana Hunter of Lower Dens, Ghost Society and Sune Wagner of The Raveonettes all
make appearances on this stunning album, which traverses krautrock, indie-rock, post-punk and
even jazz and classical influences.
In the summer of 2013 Trentemøller supported Depeche Mode on their Delta Machine world tour,
taking him to stadiums around Europe - and he'll be hitting the festival circuit once again,
including
appearances at Melt, Dour, Pitch and Zurich Open Air. The remaining part of 2013 and all
of 2014 is equally dedicated to touring with his band – the one thing Anders loves just as much as
being in the studio creating music to take to the stage.
